Flash Art #354 2026 editorial design and theoretical relationship between cinema

and theoretical relationship between cinema and typography

multi-voiced reflection on the themes and questions emerging from VOID’s practice

Coccia’s account brings the infinitely small together with the infinitely big

Alexandra Cunningham Cameron

Foscarini 1983/2023 is a monograph composed of six thematic paths

Flash Art #354 2026 editorial design and theoretical relationship between cinemaIts understood that humans are visual creatures, navigating the world primarily through encountered images. Visual stimulus can function as a warning, as evidence, or as a trigger for some long lost feeling of a bygone era. The spring issue of Flash Art, Relevance, explores such fleeting temporalities of representation. It begs the question: What does a memory, a TV show, or a feeling look like when its not viewed through the eyes but recreated